She thinks if she cannot get in, she will wait until Manu comes and then will kill her. Maya reaches garud mat, but could not enter in. Hamari adhuri kahani…ays in the background. Yuvraj then reminisces his love for Manu and getting happy when she is around. He says they are just friends and asks to go from there.
Takshika says they have to kill Manu if they need mani back.Ĭhoti rani takes food for yuvraj and tries to brainwash him that he is in love with Manu, so he is concerned for her so much. Maya apologizes and asks what she should do now. Takshika says she is getting leniant towards humans and if their boss will know about it, she will kill her. Maya reminisces Madav concern for her in snake form and telling when snake did not bite him, why should they kill it. They don’t know what this small packet can do. Takshika yells in front of Maya that she went to raj mahal to get mani, but badi ammi and badi rani insulted and burnt her. She will become yuvraj’s mother first and then will guide him into wrong path first and then kill him. Devsena is seen lying unconsciously in jungle.Ĭhoti rani tells her puttpet servant that Yuvraj escaped today, but she will kill him for sure. Badi amma does not find Devsena and gets concerned. He says why should Manu always suffer for them, he will never let that happen again. Badi rani scolds Yuvraj why did he consume poison. Manu says Devraksika’s duty is to save raj vansh and she did her duty. The episode starts with Badi amma taking Manu back to garud math and scolding her why did she consume poison, what if she would have died.
#Adhuri kahani hamari 11 dec 2015 update#
Hamari Adhuri Kahani released in theatres on Friday.Adhuri Kahani Hamari 11th December 2015 Written Episode, Written Update on
#Adhuri kahani hamari 11 dec 2015 movie#
I don’t think I’ve laughed more at a movie that wanted me to be crying along with it. At one point, overcome by gratitude, Vasudha touches Aarav’s feet. The same cannot be said of Hashmi (who gets the worst lines) or Balan (who looks like she’s trying too hard). The actors are left out to dry, though Rao manages to escape with some of his dignity intact. The film delays Hari’s return far too long: Aarav and Vasudha’s love story isn’t remotely interesting, and Hari’s crazy-lover routine, though distasteful, does bring some much-needed tension. Main inke liye jaan de sakta hoon (I could die for them)." Aarav’s first words to Vasudha, as she’s arranging flowers, are “Beautiful. The writing, by Suri’s uncle Mahesh Bhatt, is florid beyond belief, and inadvertently funny. The film is staggeringly literal-minded: when a song talks of sookhi zameen (parched earth), we’re actually shown a desert when the lyrics mention lips, there’s a helpful close-up of the same. However, even if I wrote out the entire plot, I doubt it would give you an accurate picture of how laughably bad Hamari Adhuri Kahani is. If that doesn’t sound so bad, know that I’ve omitted about a dozen flashbacks, pointless trips to Shimla and Dubai, and enough self-pity and self-destructive behaviour to fuel a Devdas remake. They become lovers soon, he’s asking her to divorce her husband, who may or may not have become a terrorist. Five years later, she’s working as a florist when Aarav (Emraan Hashmi), a rich hotelier, falls for her. He disappears after a year, leaving her to fend for herself and their infant son.
We learn that Vasudha (Vidya Balan) was married to Hari (Rajkummar Rao) against her will. The rest of the film unfolds via one of the least thought-through flashbacks I’ve ever seen: we kind of see things from the husband’s perspective, even though he couldn’t possibly have knowledge of the events being described.
The first 15 minutes are pure Suri: a death, a visit to the psychiatrist, and a man making off with his dead wife’s ashes in the middle of the night. Hamari Adhuri Kahani doesn’t mess with the formula: the three central characters are emotionally damaged, have the worst of luck, and do their best to make things even harder for themselves. Love’s labour is, more often than not, lost in Suri’s films, either through bad fortune or bad choices or some combination of the two. He directed the violent and ludicrous Ek Villain last year, and before that Aashiqui 2, Woh Lamhe and other gloomy tales of passion. Suri is Bollywood’s top purveyor of twisted, pathological romances.
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